---
product_id: 541173713
title: "RaLeno LED video light, PLV-S192, black"
brand: "raleno"
price: "€ 162.24"
currency: EUR
in_stock: true
reviews_count: 5
category: "Ra Leno"
url: https://www.desertcart.fr/products/541173713-raleno-led-video-light-plv-s192-black
store_origin: FR
region: France
---

# CRI 95+ & adjustable color temp Ultra-thin 1cm profile 110 min built-in battery life RaLeno LED video light, PLV-S192, black

**Brand:** raleno
**Price:** € 162.24
**Availability:** ✅ In Stock

## Summary

> 💡 Light up your shoot, not your gear—portable pro lighting redefined.

## Quick Answers

- **What is this?** RaLeno LED video light, PLV-S192, black by raleno
- **How much does it cost?** € 162.24 with free shipping
- **Is it available?** Yes, in stock and ready to ship
- **Where can I buy it?** [www.desertcart.fr](https://www.desertcart.fr/products/541173713-raleno-led-video-light-plv-s192-black)

## Best For

- raleno enthusiasts

## Why This Product

- Trusted raleno brand quality
- Free international shipping included
- Worldwide delivery with tracking
- 15-day hassle-free returns

## Key Features

- • **All-Day Power Freedom:** Built-in rechargeable battery delivers up to 110 minutes of cordless brilliance, plus USB charging for nonstop shoots.
- • **Intuitive LCD Display:** High-res screen lets you dial in exact settings quickly—professional lighting made effortless.
- • **Precision Lighting Control:** Dimmable brightness and seamless two-tone color tuning from 3200K to 5600K for perfect skin tones every time.
- • **True-to-Life Color Rendering:** CRI 95+ ensures your footage pops with natural, vibrant colors—no green or purple tints.
- • **Featherlight & Ultra-Portable:** Sleek, paper-sized design that fits on-camera or handheld—ditch bulky rigs and cables.

## Overview

The RaLeno PLV-S192 LED video light is an ultra-thin, lightweight panel designed for professional video creators seeking high-quality, portable lighting. Featuring a CRI 95+ rating for accurate color, adjustable brightness and color temperature controls, and a built-in rechargeable battery lasting up to 110 minutes, it eliminates the need for bulky stands and cables. Its high-resolution LCD display offers precise control, making it ideal for on-the-go interviews, vlogging, and multi-light setups in crowded or power-limited environments.

## Description

Ultra-thin light; dimmable two-tone and brightness, CRI 95+; high-resolution LCD display; permanent batteries with charger included

Review: I grabbed this light because I had a last-minute shoot on the weekend, and desertcart got it to me next day. And I'm in love. This thing is tremendous. I occasionally do video, and got called in to do an interview at a busy convention. I can't begin to describe how this little/big LED light made that job (and hauling gear) so much better. Frankly, I think this light is fantastic for the price. It's a good size, about the size of a sheet of paper, it's very light, it has a built-in battery that runs it for a couple of hours, and the color rendering is great. They claim 95 or 97 CRI; in my video work I usually aim for at least 95. I gotta say that this light had me grinning ear to ear. I'm old school, in my days tungsten fresnels were what we used, and an HMI if you had a budget. By the time I left video, fluorescents were just catching on, and I had some Lowel CaseLites with Kino Flo tubes in them for daylight. Those **** things weigh about 40 pounds or so, and they're huge and they need heavy duty stands and sandbags and power cords and the last time I used them on a fully extended stand, I had to rig them to the ceiling with ratchet straps to ensure that they couldn't fall and seriously injure someone. So much time spent rigging, so much weight to carry, so much hassle finding available outlets and running cords and worrying about people tripping over them... Fast forward to today. I had to do an interview at a crowded convention, and I wanted a three-light setup without any of the horsecrap that all my lighting kit would cause. So I grabbed one of these and a smaller one from another brand and I cannot begin to express my joy with these. 1. This thing is big, but also feather light. I put this on the camera(!) I mounted it on the camera's handle with a Noga arm, and extended it all the way out to the right, so it would serve as an off-axis key light, and it was effortless. No light stand. No sandbags. No power cords. No tripping risk. Absolutely 10,000 times better than any other light technology. 2. The light is good. It's a glowing panel. No hotspots, no reflections, no nothing, just a nice flat evenly glowing panel. Great for a softlight key if you're close to the subject; for a shoulders-up interview with the camera about 2 feet away, it was perfect. This light is about the size of a sheet of paper. 3. They're dimmable. No color shift that I could tell, just a throttle control that lets you pick the exact light output you want. What more could you want? Dimming an old tungsten would require having to actually bring a separate dimmer and plug it in; with these there's a dial on the back and it's easy as pie. 4. They are variable color. Made of 3200 and 5600 LEDs, you can dial between the two and stop anywhere you want. Use it as a 5600 but dim it down a little and it'll warm up the light and make for warmer/glowing skin tones. Use it under tungsten lighting, or in daylight, or mixed, whatever, it's just a twist of the dial away. 5. It's got a battery! That is so obscenely convenient I can't even. I can't even. No power supply, no power cords, no tripping circuit breakers, no cords on the floor for people to trip on, nothing. Just stick it on the camera or on a small stand and turn it on, and it'll run for a couple of hours. If you need it to stay on longer, or need to recharge the battery, it has a DC power supply for that so you don't have to rely on the battery. 6. The light is good. I white balanced off it and my professional video camera said it was about 5680K and the white card I was using was perfectly white, no green or purple tint like you'll find on lousy lights. I used this bigger light on-camera on a Noga arm, holding it out to the side so it served as a nicely angled key light, and the overhead lights served as fill, and I used a similar but littler light for a hairlight/backlight. Three point lighting with no power cords, no power supplies, no gaffer, no rigging, just an on-camera LED panel, ambient fill, and one little hairlight on a featherweight stand. It was heaven for a shooter, and frankly the footage I got is really very, very good. Best looking footage I've gotten at a convention, and I was doing it all as a one-man-band. Will it break? Probably. It cost me $47. 5 years ago I'd probably have paid $500 for this thing, if anything like it even existed. Don't drop it. Don't mistreat it, treat it like it's fragile (because hey, tungsten bulbs and fluorescent tubes are really fragile too, so get used to being gentle with your lighting equipment) and maybe it'll last. Maybe it won't. But if it does die on me, I'll absolutely get another. Might stock up on them during Prime Days if they go on sale.
Review: It performs exactly as advertised. Great product.

## Features

- NO

## Technical Specifications

| Specification | Value |
|---------------|-------|
| ASIN | B07PMSBLTH |
| Audio Recording | No |
| Battery Average Life | 110 minutes |
| Best Sellers Rank | #117,541 in Electronics ( See Top 100 in Electronics ) #1,139 in Continuous Output Lighting |
| Brand | RaLeno |
| Built-In Media | hot shoe, charger, user manual |
| Color | Black |
| Compatible Devices | Devices with standard 1/4" cold shoe mount and USB or Bluetooth connection |
| Compatible Shoe Mount Type | Hot Shoe |
| Connectivity Technology | USB |
| Customer Reviews | 4.6 4.6 out of 5 stars (1,516) |
| Flash Modes Description | Constant lighting, adjustable colour temperature and brightness |
| Hardware Interface | USB |
| Has Self-Timer | No |
| Item Dimensions L x W x H | 26.9L x 19.1W x 1H centimeters |
| Manufacturer | RaLeno |
| Manufacturer Part Number | JYT-US-PLV-S192 |
| Media Type | EnhancedContent |
| Model Number | PLV-S192 |
| Screen Size | 10.6 Inches |
| UPC | 643845914844 |
| Water Resistance Level | Water Resistant |

## Product Details

- **Battery life:** 110 minutes
- **Brand:** RaLeno
- **Connectivity technology:** USB
- **Hardware interface:** USB
- **Product dimensions:** 26.9L x 19.1W x 1H centimeters

## Images

![RaLeno LED video light, PLV-S192, black - Image 1](https://m.media-amazon.com/images/I/71mZorSKrXL.jpg)
![RaLeno LED video light, PLV-S192, black - Image 2](https://m.media-amazon.com/images/I/71xIq6amc-L.jpg)
![RaLeno LED video light, PLV-S192, black - Image 3](https://m.media-amazon.com/images/I/71kgVrQm6ML.jpg)
![RaLeno LED video light, PLV-S192, black - Image 4](https://m.media-amazon.com/images/I/61gqda8OVuL.jpg)
![RaLeno LED video light, PLV-S192, black - Image 5](https://m.media-amazon.com/images/I/71cJJRUMOCL.jpg)

## Questions & Answers

**Q: This work well for about three weeks, but now it's completely dead. Support page doesn't work and the email is dead. What should I do?**
A: Contact Amazon directly. They'll help you if you can't get in touch with the seller.

**Q: Can it be used to shoot YouTube videos?**
A: Yes, it should work quite well for that purpose.  I got it to provide some front lighting for use with a web cam for conference calls.  I needed something with a diffused light so it didn't reflect off my glasses as a bright spot.

**Q: How long does the battery last on a single charge?**
A: The battery is pretty good. About 1-2 hours depending on the intensity but it can also be used while charging.

**Q: I am going to use this led video light for 4x5 film scan. what about the brightness uniformity?**
A: This is one of the only suitable low cost LED panels for camera scanning. It's brighter and more even than the Kaiser LED panel I bought and returned. Other video light panels are bare LEDs or diffusion dots and not an even white panel. The surface is textured, to help the diffusion, I assume. So you'll probably not want to put the film directly on the panel diffusion but instead use a film holder or another layer that won't scratch the film.

## Customer Reviews

### ⭐⭐⭐⭐⭐ Review
*by H***R on 28 February 2025*

I grabbed this light because I had a last-minute shoot on the weekend, and Amazon got it to me next day. And I'm in love. This thing is tremendous. I occasionally do video, and got called in to do an interview at a busy convention. I can't begin to describe how this little/big LED light made that job (and hauling gear) so much better. Frankly, I think this light is fantastic for the price. It's a good size, about the size of a sheet of paper, it's very light, it has a built-in battery that runs it for a couple of hours, and the color rendering is great. They claim 95 or 97 CRI; in my video work I usually aim for at least 95. I gotta say that this light had me grinning ear to ear. I'm old school, in my days tungsten fresnels were what we used, and an HMI if you had a budget. By the time I left video, fluorescents were just catching on, and I had some Lowel CaseLites with Kino Flo tubes in them for daylight. Those **** things weigh about 40 pounds or so, and they're huge and they need heavy duty stands and sandbags and power cords and the last time I used them on a fully extended stand, I had to rig them to the ceiling with ratchet straps to ensure that they couldn't fall and seriously injure someone. So much time spent rigging, so much weight to carry, so much hassle finding available outlets and running cords and worrying about people tripping over them... Fast forward to today. I had to do an interview at a crowded convention, and I wanted a three-light setup without any of the horsecrap that all my lighting kit would cause. So I grabbed one of these and a smaller one from another brand and I cannot begin to express my joy with these. 1. This thing is big, but also feather light. I put this on the camera(!) I mounted it on the camera's handle with a Noga arm, and extended it all the way out to the right, so it would serve as an off-axis key light, and it was effortless. No light stand. No sandbags. No power cords. No tripping risk. Absolutely 10,000 times better than any other light technology. 2. The light is good. It's a glowing panel. No hotspots, no reflections, no nothing, just a nice flat evenly glowing panel. Great for a softlight key if you're close to the subject; for a shoulders-up interview with the camera about 2 feet away, it was perfect. This light is about the size of a sheet of paper. 3. They're dimmable. No color shift that I could tell, just a throttle control that lets you pick the exact light output you want. What more could you want? Dimming an old tungsten would require having to actually bring a separate dimmer and plug it in; with these there's a dial on the back and it's easy as pie. 4. They are variable color. Made of 3200 and 5600 LEDs, you can dial between the two and stop anywhere you want. Use it as a 5600 but dim it down a little and it'll warm up the light and make for warmer/glowing skin tones. Use it under tungsten lighting, or in daylight, or mixed, whatever, it's just a twist of the dial away. 5. It's got a battery! That is so obscenely convenient I can't even. I can't even. No power supply, no power cords, no tripping circuit breakers, no cords on the floor for people to trip on, nothing. Just stick it on the camera or on a small stand and turn it on, and it'll run for a couple of hours. If you need it to stay on longer, or need to recharge the battery, it has a DC power supply for that so you don't have to rely on the battery. 6. The light is good. I white balanced off it and my professional video camera said it was about 5680K and the white card I was using was perfectly white, no green or purple tint like you'll find on lousy lights. I used this bigger light on-camera on a Noga arm, holding it out to the side so it served as a nicely angled key light, and the overhead lights served as fill, and I used a similar but littler light for a hairlight/backlight. Three point lighting with no power cords, no power supplies, no gaffer, no rigging, just an on-camera LED panel, ambient fill, and one little hairlight on a featherweight stand. It was heaven for a shooter, and frankly the footage I got is really very, very good. Best looking footage I've gotten at a convention, and I was doing it all as a one-man-band. Will it break? Probably. It cost me $47. 5 years ago I'd probably have paid $500 for this thing, if anything like it even existed. Don't drop it. Don't mistreat it, treat it like it's fragile (because hey, tungsten bulbs and fluorescent tubes are really fragile too, so get used to being gentle with your lighting equipment) and maybe it'll last. Maybe it won't. But if it does die on me, I'll absolutely get another. Might stock up on them during Prime Days if they go on sale.

### ⭐⭐⭐⭐⭐ Review
*by O***O on 25 September 2021*

It performs exactly as advertised. Great product.

### ⭐⭐⭐⭐⭐ Review
*by C***O on 4 May 2025*

Lovely. Simple. Gets the job done. I use it for dslr film scanning, it lays flat, shines bright and doesnt cause any problems scanning 10/10. Best option on a budget for sure

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---

*Product available on Desertcart France*
*Store origin: FR*
*Last updated: 2026-04-23*