---
product_id: 206837057
title: "Beanpole"
brand: "viktoria miroshnichenkovasilisa perelygina"
price: "€ 36.69"
currency: EUR
in_stock: true
reviews_count: 9
url: https://www.desertcart.fr/products/206837057-beanpole
store_origin: FR
region: France
---

# Beanpole

**Brand:** viktoria miroshnichenkovasilisa perelygina
**Price:** € 36.69
**Availability:** ✅ In Stock

## Quick Answers

- **What is this?** Beanpole by viktoria miroshnichenkovasilisa perelygina
- **How much does it cost?** € 36.69 with free shipping
- **Is it available?** Yes, in stock and ready to ship
- **Where can I buy it?** [www.desertcart.fr](https://www.desertcart.fr/products/206837057-beanpole)

## Best For

- viktoria miroshnichenkovasilisa perelygina enthusiasts

## Why This Product

- Trusted viktoria miroshnichenkovasilisa perelygina brand quality
- Free international shipping included
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- 15-day hassle-free returns

## Description

Beanpole

## Images

![Beanpole - Image 1](https://m.media-amazon.com/images/I/711nDaBAJ-L.jpg)

## Customer Reviews

### ⭐⭐⭐⭐⭐ 5.0 out of 5 stars







  
  
    Depressing but riveting
  

*by S***R on Reviewed in the United States on April 12, 2023*

One of the best movies about the Soviet experience of WWII that I've ever seen. Similar to "Come and See," though much less violent. Captures the desperation that residents of Leningrad experienced after the siege (the entire film takes place in the year after the war).

### ⭐⭐⭐⭐ 4.0 out of 5 stars







  
  
    Powerful emotions
  

*by A***R on Reviewed in the United States on October 31, 2020*

From a cursory reading of reviews when this movie came out, I thought it took place during the siege of Leningrad during WWII.  It actually takes place a year after the end of the war, but the trauma and broken people from the aftermath are clearly front and center in this film.  Beanpole is simply a term used to describe people who are tall and thin.  It is a tightly focused film about Masha and Iya (beanpole) and brings in Alexander wooing Masha.  Iya works in a hospital tending to wounded soldiers as they try and recover, and Masha manages to get a job there also.  They form a bond of two broken souls trying to go forward in their lives.  Masha had served at the front.  So yes, this is very much a woman’s film.  On a night out among the very dreary setting of the area, they meet Alexander and friend who are in a car.  Alexander latches onto to Masha, and Masha, perhaps deluding herself, has hope for a better future with him.  It is clear that Alexander is not in the same economic class as the two of them.  Masha wants a baby, but is infertile, and wants Iya to carry a baby for her. Masha travels with Alexander to met his family, where he tells them he wants to marry her and she wants to live with them with ‘her’ baby.  That rips open raw emotions.  This is not a feel good movie of the year.  This is a movie of people in very grim circumstances forever changed by war.  After the war in Russia, it was not the time of milk and honey.  It is a film of emotions, which will not be everyone’s cup of tea.

### ⭐⭐⭐⭐ 4.0 out of 5 stars







  
  
    It's all there, but then again it finally isn't
  

*by S***N on Reviewed in the United States on June 27, 2020*

I'd call this an "also ran" film. Beautiful art direction and cinematography, casting and direction. A rich thing on the screen in so many ways. And a cutting reminder that the wages of war are so very real, for the people who didn't have any cause at all to wage war themselves, and didn't consent to the waging of war, much less to its risks and impacts. All of this is important and the film brings it home, hard-core, and validly. However, it ultimately disappoints, as if the global indie film world warped it as Hollywood and Bollywood warp the films around them, imposing an ultimatum of compliance with their values and expectations, or else. I am talking about the triviality of this film's plot-arc endpoint -- a contemporary but very tired lesbian trope of a "happy" ending. It seemed meant to land somewhere else, somewhere more important. But it didn't. It could have, in true Russian literature style, have let the Beanpole be a suicidal or incidental tram casualty. It could have . . . gone almost anywhere else than where it did . . . but it didn't. To me, that stinks of undue influence on the part of whatever film industry heavy hand that wrestled this film into submission. I hope to see more truly independent and fully free expressions of the valid material that this film brought to our eyes and minds, but seemingly was forced to abandon to create a "happy" ending under indie film industry duress. It could have hit harder, and thereby validated all of the most serious, complex, contradictory and important material that built this film in the first place . . . and promised so much throughout its intense and potentialy perception-shifting first two hours . . . but the last 19 minutes devolved into a sorry artistic compromise. I don't know the story of this film's development, but it seems fraught, and there certainly were factors outside the creative center of the film that bent it into the shape we see in its actual released form. Brilliant. Sad. Genius. Disappointing. Big brave work in its making. Small minds seem to have been interfering. So there's my take.

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*Product available on Desertcart France*
*Store origin: FR*
*Last updated: 2026-01-23*