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📖 Unlock timeless adventure and literary prestige with The Count of Monte Cristo!
The Count of Monte Cristo (Penguin Classics) is a definitive edition of Alexandre Dumas’ legendary 19th-century novel, translated by Robin Buss. Celebrated for its epic tale of injustice, adventure, and revenge, this edition boasts a 4.7-star rating from over 13,000 readers and ranks top in historical fiction. Delivered in mint condition with fast dispatch and guaranteed packaging, it’s a must-have for discerning literary enthusiasts.






















| Dimensions | 13 x 5.6 x 19.8 cm |
| Edition | Reissue |
| Isbn 10 | 0140449264 |
| Isbn 13 | 978-0140449266 |
| Item Weight | 892 g |
| Language | English |
| Print Length | 1312 pages |
| Publication Date | 27 Mar. 2003 |
| Publisher | Penguin Classics |
User
Perhaps the greatest revenge story ever written
Although it has taken me half a year to finish this masterpiece of a book, I cannot stop thinking how greatly it has been written and told.
User
A Timeless Classic with Depth and Adventure
I recently finished reading “The Count of Monte Cristo” by Alexandre Dumas, published by Penguin Classics, and it was an absolutely enthralling experience from start to finish. This edition is beautifully presented, with a cover that captures the essence of the novel and high-quality paper that makes for a pleasant reading experience.The story itself is a masterpiece of adventure and intrigue. Dumas’ writing is both engaging and detailed, bringing to life the tale of Edmond Dantès’ transformation from a wrongfully imprisoned sailor to the enigmatic Count of Monte Cristo. The plot is richly layered with themes of justice, revenge, and redemption, making it a deeply satisfying read.One of the strengths of this novel is its complex and well-developed characters. Each character, from the cunning villains to the loyal friends, adds depth to the story. The protagonist’s journey is both heartbreaking and exhilarating, and it’s easy to become deeply invested in his quest for vengeance and ultimate justice.The Penguin Classics edition also includes helpful notes and an introduction that provide valuable context and insights into the historical and literary significance of the novel. This added depth enhanced my understanding and appreciation of the story.The only minor drawback is the novel’s length, which can be daunting. However, every chapter is filled with gripping narrative and unexpected twists, making it well worth the commitment.Overall, “The Count of Monte Cristo” is a timeless classic that deserves a place on every bookshelf. This Penguin Classics edition is a wonderful way to experience Dumas’ epic tale. Highly recommended for anyone who loves a story rich in adventure, emotion, and complexity.
User
A Cultural Masterpiece
Absolutely phenomenal.The Count of Monte Cristo is a masterclass in storytelling. It is rich, well paced and immensely rewarding. Alexandre Dumas weaves justice, revenge, and redemption into a mature epic that never loses its pacing despite the length of the novel, over 1,000 pages in this kindle edition.It’s a long read with many characters, that can be tricky to keep track of, but every chapter is compelling in it’s own way, making it a classic that has matured with age and is as relevant now as when it was written all those years ago.
User
Rivalling 'Lord of the Rings' for the title of 'Greatest Epic of All Time'!
Firstly, a quick note on this edition: having started an old, archaic and atrocious translation to begin with, I can heartily recommend the crystal prose of Robin Buss's translation for Penguin Classics... The difference was startling, and it made it an absolute joy to read where it could so easily have become a chore!Now, this is going to be a tricky one to review. What to say about a book so well loved, so widely read, so generally revered? Well, let's start with the basics, the bits most people already know. The novel opens with young Edmond Dantes, on the verge of becoming captain of his merchant ship and husband of the beautiful Mercedes, being betrayed by his jealous friends and thrown into jail for his alleged support of Napoleon. During his fourteen years in the terrifying Chateau d'If, he meets a 'mad' old abbe, who introduces him to the world of learning and tells him about a secret treasure that he wishes Edmond to have should he ever escape. Well, escape he does, and is reborn as the Count of Monte Cristo, using his incredible wealth, power and intelligence to bring justice down on the heads of the three men who condemned him to the dungeons.This book is so many things: it is epic, complex and exciting; it is heartbreaking, sorrowful and romantic. It touches on the heights of emotion, society and the human condition, as well as the depths of despair, corruption and depravity. I found myself speeding along in breathless excitement as Edmond's true identity was revealed to each of his tormentors, and felt the full horror of the tangled webs he wove to destroy them one by one. It made me ponder the relationship between wealth and power, between knowledge and power, and the way that faith can save someone's life but also, if they don't take care, lead them down a path swathed in darkness. The Count's lesson for jealous Danglars, for example, was deeply satisfying - whereas his quiet destruction of Villefort's entire family was devastating to read. Of course, all this is terribly unlikely and deeply dramatic, but that is part of its charm - this is escapism at its finest!Quite simply, this is a masterful novel that drew me in gently then refused to let me go. The characters are wonderfully drawn - I even got a bit of a crush on Dantes, fallen angel that he is - and the story seeps forward deliciously, bringing everything slowly into focus as the scattered elements of the Count's plans draw together. This is definitely going to be one of my top reads of the year and one of my favourite books ever! Read it!
User
GREAT STORY & beautiful edition :) but if a first-tme buyer there's something you shoud also know.
Feel bad even giving a 4 - would say its more like a 4 and a halfThere is a huge following out there for Penguin 'Cloth-Bound Classics'. Like many other people, I absolutley love the collection. Its beautiful and for non-English titles the translations are usually good.But, if this is your first time purchasing a Cloth-Bound Classic there is something you need to be aware of so you wont be disappointed.When you peel the barcode label off the back cover it can often remove some of the surface print and depending on the colour palette, can also leave a noticable rectangular mark.Also you will need to make sure your hands are DRY when reading, or again the surface print may either flake or come off.Personally I don't see this as a fault or flaw -its just the natural state of the materials used to make these lovely cloth-bound books combining with an understandable need to manage inventory and dispactch logistics with low-tac stickersJust wanted to provide the info so anyone new to this collection can make an informed purchase.Enjoy your Cloth-Bound Classics, once you buy one, you will want to build your collection :)On this title specifically........................................................Can't recommend The Count of Monte Cristo enough!!And this is a comfortable read translation-wise.Its an epic tale that will draw you in and keep you turning pages...As it was orininally circulated in serialised form, the plot layers and characters develop at a pace that will keep you engaged and excited to keep turning pages.Don't let the number of pages put you off -This is one brick of a book that is definitely worth time investedWhether you choose to approach this in one long cover to cover unbroken read, or pace yourself over some months by using it as a companion to your other core reading, I'm sure you will enjoy it :)
User
Absolute masterpiece
This is a new translation. It is the best of them all. I also have it as a real book. The storyline is gripping.It’s dark, moody, violent and unlike anything you have read before.The original black and white film paints the wrong picture. The recent remake is ok but nothing compared to the majesty of the written word. The betrayals and the payback. The murders and infanticide and patricide and the vengeance is well thought out. Your carried along through each page hoping for a lull in the action so you can take a break.I read it in one go and was well worth the lack of sleep.
User
Classic story with flaws
The first three hundred pages of `The Count of Monte Cristo' are gripping, the story of an innocent man condemned, by a combination of accident & design, but who receives salvation at his moment of despair. The remainder of the novel is much more slow-burning as the Count engineers an introduction into Parisian society to exploit the weaknesses and dark secrets of his enemies: corruption, sexual misconduct & scandal.'The Count of Monte Cristo' is a picaresque novel with a dramatic plot. But the novel, for me, appears to sacrifice character and depth for the exigencies of plot, and subplots, such as Maximilien & Valentine's thwarted romance & the serial poisoner, affect the overall pace of the novel and are both clunky and melodramatic.There are glimpses of real style, such as the wonderful description towards the end of the evening sun reflected in the bosom of the waves. Despite the novel's length, there is a great deal of dialogue, revealing Dumas' theatrical background and his obvious talent at writing speech & conveying characters. There are some great secondary characters such as the wheel-chair ridden Noirtier; the passionate Mme Danglars, a proto-type for Madame Bovary; her daughter, Eugenie, unloved by her parents & treated as a commodity by her father, artistic and independent & clearly lesbian; and Abbe Faria, who gives Edmond Dantes the secret to a hidden treasure but also gives him another kind of treasure, knowledge.A missed opportunityBut I did feel the novel missed a great opportunity by not having the Count confront one of his enemies, de Villefort in particular, the figure of absolute justice, who condemns Dantes through a combination of accident & design. I felt short-changed, in a novel that depicts fashionable society's obsession with wealth, that the most selfish & boorish villain, Danglars, is shown mercy. From what I remember of `Les Miserables', there is a more spiritual dimension to the novel with Valjean & Javert having a final confrontation during the Paris revolt that changes the dynamic of their relationship. De Villefort is the Count's intellectual equal, (the chapter Ideology) and it would have been interesting to see the Chief Prosecutor show genuine remorse or learn of a law that tempers justice with mercy (de Villefort's guilt & conscience are hinted in the beginning of the novel before he allows ambition and selfish motives to condemn an innocent man). It could have been interesting to see de Villefort challenge the Count about the morality of revenge. In the hands of a novelist, like Dostoevsky, this could have been fertile territory.Warning: Spoiler alertMercedesThe novel is about Dantes' loss of liberty & revenge, but as the novel reached its climax, I felt that Mercedes, his lost love, was just as great a victim. In her own way, Mercedes `betrays' Edmond. She momentarily falters, failing to `wait' & `hope' so that she marries Fernand. But Mercedes remained loyal to Dantes' memory, like Penelope, yet ultimately she is the one who loses everything: her son, her husband & her fashionable Parisian life. I also felt she lost the one thing that she had cherished from her past life, the memory of her lost love, which becomes tarnished when she realises that the man she had mourned for is also the man determined to kill her son. For me, the scene where Mercedes intercedes with the Count on behalf of her son was one of the most moving in the book, Shakespearean in tone, like Volumnia with Coriolanus. I thought the final parting between the Count & Mercedes left much unsaid and unresolved as in life, a greater distance now existing between them, than it ever did when Edmond sailed the seas and Mercedes stood waiting for him in Marseille. I found it poignant as Mercedes stood watching her son's ship leave for Algeria, the past & the present blurred as she utters Edmond's name. I feel Mercedes is the one left bereft in the end, whereas the Count is offered a second possibility of happiness with Haydee and some form redemption by saving Valentine.I imagined Mercedes, the Countess de Morcerf, as Goya's portrait of Dona Zarate.The CountI found it interesting how the Count begins to question his own actions, the moral dilemma about revenge and how it harmed the innocent as the guilty. Did so many have to die in the serial murder plot? That seemed more grand guignol than a calculated revenge. I would have liked to have seen more of the Count's dark, brooding personality as revealed in the chapters in Rome, the execution and the discussion about the nature of revenge & punishment. I did enjoy how the Count sets himself up as Providence with the power of life & death over others, but how this sense of power corrupts him. It was interesting to read a review on here that describes the Count as the actual villain of the novel, an alternative take on his character.There was much that I enjoyed about the book: the first 300 pages; Franz travelling to meet the Count on his `magical' island and his hallucinogenic fantasy; the scenes where the Count discovers the treasure; how the Count sets up Caderousse, another of his `enemies', the man who stood by and did nothing whilst Dantes was implicated in a Napoleonic plot; the judicial investigation and Haydee's dramatic entrance; the comic scene about the telegraph receiver sending the wrong information (echoing `Trading Places', with the Dukes the son & heirs of Danglars & the misinformation they are given).Read the novel before seeing a dramatised versionI am glad that I read the novel before seeing any film adaptation. I've been quite taken aback at how the 2002 film version played fast & loose with the text, probably attempting to capture Dumas's spirit, but ending with a duel, which does not happen in the novel. Similarly, I caught the ending of the Depardieu version (1998). It seemed to capture the authenticity of the period, but the ending left me thinking that I was glad that I read the book for myself.
User
Good
Doesn’t appear to have been used
User
Review
The book arrived in great condition and was well packaged. The print quality and overall finish are good, and there were no damages or issues with the copy. Very happy with the purchase!
User
Adventures and treasures
I would have never thought that the book would be so different from the movie, and it is so much more! This book was filled with adventure, action and a little hint of romance! I enjoyed the conclusion that the Count came to in the end...*SPOILER (kind of) ALERT*...that revenge is truly a dish best served cold, that is a tasteless dish should never have been served...
User
Love this book
The book is well wrapped, the printing is very clear. Can’t wait to read it !
User
Excellent book
Red this when I was 15-16 years old. Bought this for my granddaughter. Hope she will like it too.I watched French, Italian, Russian, and US movies The Count of Monte Cristo.Do you know that Alexandre Dumas wrote 400 or 500 books and novels? There is no person in the world who managed to read all of Dumas' books.If my granddaughter likes it, the next willThe Three Musketeers, Twenty Years After, Ten Years After, The Man in the Iron Mask, Queen Magot, Black Tulip, The forty-five guardsmen.
User
Perfeito
Livro lindo .Não veio com a etiqueta presa no livro não. Ao invés disso veio adesivada no papel celofane que envolve o livro….
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