---
product_id: 151998886
title: "Dummy"
brand: "portishead"
price: "€ 15.87"
currency: EUR
in_stock: false
category: "Music"
url: https://www.desertcart.fr/products/151998886-dummy
store_origin: FR
region: France
---

# Dummy

**Brand:** portishead
**Price:** € 15.87
**Availability:** ❌ Out of Stock

## Quick Answers

- **What is this?** Dummy by portishead
- **How much does it cost?** € 15.87 with free shipping
- **Is it available?** Currently out of stock
- **Where can I buy it?** [www.desertcart.fr](https://www.desertcart.fr/products/151998886-dummy)

## Best For

- portishead enthusiasts

## Why This Product

- Trusted portishead brand quality
- Free international shipping included
- Worldwide delivery with tracking
- 15-day hassle-free returns

## Description

Product Description
        	  
        	  
        		  
        			11-track version includes &apos;It&apos;s a Fire&apos; not featured on the 10-track version. Universal.
				    	
			    	
        		  
        		  
        	
          
              
        	  	  .co.uk
        	  
        	  
        		  
        			The collaboration of studio whiz Geoff Barrow and singer Beth Gibbons, Dummy was made at the same time as a short film noir called To Kill a Dead Man, and the same approach--gloomy, tormented, and wildly melodramatic--permeates the album. &quot;Sour Times&quot; (the hit in which Gibbons cries, again and again, &quot;Nobody loves me, it&apos;s true&quot;) and the more cryptic &quot;Glory Box&quot; are the linchpins of the album, defining its sound: dark flashes of old soul and film music, dehumanised electronic bleeps, Gibbons emoting like she&apos;s consumed by shame, and a bass-and-beat pulse derived from the slow bump and grind of the Bristol scene that spawned Barrow&apos;s old collaborators, Massive Attack. --Douglas Wolk
				    	
			    	
        		  
        		  
        	
          
              
        	  	   Review 
        	  
        	  
        		  
        			Portishead&#x2019;s Mercury Prize-winning debut takes just seconds to spook its audience. An eerie drone, scratches that sound like alien chatter, a snapping beat that cracks with hip hop attitude but treads cautiously for fear of stepping on a crack and tumbling into whatever unholy chasm music like this is capable of opening. Mysterons&#x2019; title is apt &#x2013; named after the Martian race from Captain Scarlett, it&#x2019;s an emission from a faraway planet of secrets and shadows. It opens the group&#x2019;s singular soundworld in a way that&#x2019;s exquisitely discomforting.True, the constituents that make up much of this collection are easily traced &#x2013; back to dub, to soul, and especially to hip hop; the array of scratch effects, loops and samples (the best being the slurry use of Johnnie Ray&#x2019;s version of I&#x2019;ll Never Fall in Love Again, on Biscuit) betraying its makers&#x2019; affections for very terrestrial traits. But it&#x2019;s the manner in which the pieces come together that makes Dummy special to this day. While 16 years old, it sounds remarkably fresh &#x2013; perhaps because its minimalist design has been recently returned to the Mercury winners circle by The xx; perhaps because the mixture of this backdrop with the vocals of Beth Gibbons remains one of pop music&#x2019;s most compelling combinations.While producer Geoff Barrow is the heart of Dummy, and Adrian Utley another just-as-vital organ, the soul is Gibbons. It&#x2019;s her presence that made Portishead truly stand out from the post-Blue Lines crowd, a group of artists loosely categorised as trip hop. It&#x2019;s important not to exaggerate her role in taking the group from their West Country roots to worldwide acclaim, to the detriment of her bandmates, but her voice &#x2013; a ghostly, fractured wail that sounds as if it&#x2019;s crept from an Edwardian closet that&#x2019;s been sealed since 1902 &#x2013; plays a vital part in ensuring this set side-steps convention. Hers is a voice that can&#x2019;t be copied, coming from the back of her mouth, shaped by throat rather than tongue and lips; it creaks and moans like Mary Celeste decking, every bit as shivers-down-the-spine inducing as Barrow&#x2019;s off-kilter turntable work and unsettling electronics.And it&#x2019;s not Gibbons&#x2019; words that do the damage &#x2013; it&#x2019;s how they&#x2019;re said. Roads &#x2013; the sort of contemporary masterpiece that in a parallel universe is being wheeled out on The X Factor and reducing Simon Cowell to floods of tears &#x2013; is the best example of how Gibbons&#x2019; technique surpasses any lyrical content. The tone is familiar, an unspecified collapse, potential or assured but surely emotional, is spoken of; but the way she signs off a repeated line with a certain pronunciation of &quot;wrong&quot; is utterly arresting. It&#x2019;s a shapeless sigh of beaten-down anguish, and there&#x2019;s more heartache and pain in this single second than a whole rack of by-the-book balladeers.Imitators have come and gone, but no act has reproduced the disquieting magnificence conjured here except Portishead themselves. The band&#x2019;s next album, an eponymous effort of 1997, distanced them from the coffee tables that (wholly unexpectedly) had made room for Dummy; to some it&#x2019;s a superior listen, though a lot colder and harder than its predecessor. And their overdue comeback of 2008, Third, embraced krautrock motifs to take an established sound into a new dimension. But to many, Dummy is the group&#x2019;s defining work &#x2013; and even if you disagree with that, what can&#x2019;t be doubted is that this is one of the greatest debuts of the 1990s. --Mike Diver Find more music at the BBC  This link will take you off  in a new window

## Images

![Dummy - Image 1](https://images-na.ssl-images-amazon.com/images/I/41gQuV4kP1L.jpg)
![Dummy - Image 2](https://images-na.ssl-images-amazon.com/images/I/71P2xkt-8BL.jpg)

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*Product available on Desertcart France*
*Store origin: FR*
*Last updated: 2026-05-16*