---
product_id: 1142912
title: "Canon EF 50mm f/1.4 USM Standard and Medium Telephoto Lens for Canon SLR Cameras, Fixed"
brand: "canon"
price: "€ 720.07"
currency: EUR
in_stock: true
reviews_count: 7
category: "Canon"
url: https://www.desertcart.fr/products/1142912-canon-ef-50mm-f-1-4-usm-standard-and-medium
store_origin: FR
region: France
---

# f/1.4 ultra-wide aperture for low light 50mm versatile focal length USM silent, fast autofocus Canon EF 50mm f/1.4 USM Standard and Medium Telephoto Lens for Canon SLR Cameras, Fixed

**Brand:** canon
**Price:** € 720.07
**Availability:** ✅ In Stock

## Summary

> 📸 Elevate your vision with the legendary 50mm f/1.4 — where sharpness meets soul.

## Quick Answers

- **What is this?** Canon EF 50mm f/1.4 USM Standard and Medium Telephoto Lens for Canon SLR Cameras, Fixed by canon
- **How much does it cost?** € 720.07 with free shipping
- **Is it available?** Yes, in stock and ready to ship
- **Where can I buy it?** [www.desertcart.fr](https://www.desertcart.fr/products/1142912-canon-ef-50mm-f-1-4-usm-standard-and-medium)

## Best For

- canon enthusiasts

## Why This Product

- Trusted canon brand quality
- Free international shipping included
- Worldwide delivery with tracking
- 15-day hassle-free returns

## Key Features

- • **Compact & Durable Build:** Lightweight 10.2 oz design with robust construction for on-the-go pros.
- • **Iconic 50mm Focal Length:** Perfect balance for portraits, street, and everyday shots.
- • **Blazing Fast f/1.4 Aperture:** Capture stunning low-light images with creamy bokeh that commands attention.
- • **Whisper-Quiet USM Autofocus:** Smooth, near-silent focusing keeps you in the creative flow without distractions.
- • **Precision Optics with Gaussian Elements:** Sharp, flare-free images thanks to advanced lens coatings and astigmatism correction.

## Overview

The Canon EF 50mm f/1.4 USM is a premium standard prime lens designed for Canon SLR cameras, featuring a fast f/1.4 aperture for exceptional low-light performance and shallow depth of field. It incorporates 7 elements in 6 groups with advanced Gaussian optics and two high-refraction elements to eliminate astigmatism and reduce flare. The lens offers a minimum focusing distance of 17.8 inches and a 58mm filter thread. Its ultrasonic motor (USM) ensures fast, smooth, and silent autofocus with full-time manual override. Compact and lightweight at just 10.2 ounces, this lens is ideal for both professional and enthusiast photographers seeking sharp, vibrant images with beautiful bokeh.

## Description

Product Description Standard lens Featuring superb quality and portability. 2 high-refraction lens elements and new Gaussian optics eliminate astigmatism and suppress astigmatic difference. Crisp images with little flare are obtained even at the maximum aperture. Filter size: 58 mm, Closest Focusing Distance: 1.5 feet. The 50mm f/1.4 standard lens is a terrific choice for both casual and professional photographers. The lens is outfitted with 2 high-refraction lens elements and new Gaussian optics, which combine to eliminate astigmatism and suppress astigmatic difference. As a result, the lens obtains crisp images with little flare even at the maximum aperture. The lens's f/1.4 speed, meanwhile, is perfect for available-light shooting. And as a bonus, this lens is the only lens in the EF system to offer an extra-small Micro Ultra Sonic Motor (USM) while still providing a full-time manual focusing option. Other features include a close focusing distance of 1.5 feet, a 58mm filter size, and a one-year warranty.what's in the boxCanon Normal EF 50mm f/1.4 USM Autofocus Lens, E-58U 58mm Snap-On Lens Cap, Lens Dust Cap E (Rear) and 1-Year Warranty. Specifications. desertcart.com The 50mm f/1.4 standard lens is a terrific choice for both casual and professional photographers. The lens is outfitted with two high-refraction lens elements and new Gaussian optics, which combine to eliminate astigmatism and suppress astigmatic difference. As a result, the lens obtains crisp images with little flare even at the maximum aperture. The lens's f/1.4 speed, meanwhile, is perfect for available-light shooting. And as a bonus, this lens is the only lens in the EF system to offer an extra-small Micro Ultra Sonic Motor (USM) while still providing a full-time manual focusing option. Other features include a close focusing distance of 1.5 feet, a 58mm filter size, and a one-year warranty.what's in the boxCanon Normal EF 50mm f/1.4 USM Autofocus Lens, E-58U 58mm Snap-On Lens Cap, Lens Dust Cap E (Rear) and 1-Year Warranty. SpecificationsFocal length: 50mm Maximum aperture: f/1.4L Lens construction: 7 elements in 6 groups Angle of view: 46 degrees Focus adjustment: Overall linear extension system with USM Closest focusing distance: 1.5 feet Filter size: 58mm Dimensions: 2.9 inches in diameter and 2 inches long Weight: 10.2 ounces Warranty: 1 year

Review: Undeniable Results - At this point, this lens has such a strong backing that I'm just another voice in the wind. *If you want this lens, GET IT. You will NOT regret it if you want a fast, sharp, well-built investment in glass.* Keep in mind that when shooting with APS-C cameras (7D, 4/5/60D, T1/2/3/4/5i, SLi) this is a wonderful PORTRAIT lens, that gives you a head-and-shoulders frame at five feet, while on a full-frame camera (5D1/2/3, 6D, 1D3/4/5/X/C) it is a stunning STANDARD lens, with a full-body frame at five feet. It is well-built: the body is made up of a solid plastic that has survived a few bangs and falls already. I have it insured, so I have the peace of mind of not worrying about little things, but remember to put a cheap UV filter on it. *A scratched filter costs a LOT less to replace than a scratched lens. Buy a filter with this lens!* It is FAST: The USM is quick and snappy. It is the older version of Canon's USM, so it will 'hunt' in low light if you place a single AF point onto a black background or surface. Get around that by focusing on a lit subject and then recomposing, using either single shot AF or AF-lock. It is BRIGHT: or 'fast', but I didn't want to get confused between AF and aperture. If you are upgrading from a zoom lens, whether it's your kit 18-55 or your professional 24-70 F/2.8, you will INSTANTLY notice how bright and clean 1.4 is. It GOBBLES light at nighttime and indoors, and coupled with the high-ISO performance of almost every Canon DSLR right now, you can get stunning shots with this lens in the toughest of conditions without a flash. And, because of how fast it is, the depth of field (amount of your subject in focus) is razor-thin. You will find that someone's nose pores will be visible while their eyes will be blurry, which might ruin a shot for you: always confirm that what you want to be in focus, is. This is a VERY powerful tool for creative or portrait photography. It is SHARP: focus, movement, light, camera shake, and shutter speed all can alter the sharpness of your photo, which is the most important facet, but the fact is that this lens will not hold you back if you're looking for the sharpest photo possible. It is RAZOR sharp when stopped down, and center sharpness is stunning all the way to F/1.4. Anything from F/2 and up will be sharp all around, at at F/5.6 the entire frame is sharper than a lot of L lenses. The only reason people pay five times as much for the Canon 50mm F/1.2L is because they either need the build quality, aperture speed, or consistent sharpness. You can easily get equally stunning results from this lens, at 1/5th the price of its niche L brother. And, for creative photos and especially video, it creates wonderful creamy BOKEH. If you're looking at this lens you probably know what 'bokeh' means: all it references is the quality of the out-of-focus areas of your photo. Your subject, whether a face or a sign or a car or a person, will be sharp and in focus, while at F/1.4 the area from a few inches in front of and behind the subject become a wonderfully pleasing blur. Now, as far as competition goes, this lens competes with the Sigma 50mm F/1.4 and Canon's own 50mm F/1.8. The Canon 50mm macro lens doesn't count as a 'fast fifty', as at F/2.5 it is an entire stop slower than the other 50's. The Sigma is a better and newer lens than the Canon 50mm F/1.4, with better sharpness wide open and barely better bokeh. However, it costs slightly more, and it doesn't have the support of Canon software, hardware, and editing plugins. Their results are nearly identical, and bokeh is a personal preference. You will be perfectly content with either lens, though Canon's autofocus has been reported as being superior to Sigma's, with quality control issues and failing AF on early models of Sigma's 50mm's. The 50mm F/1.8 is well-known for its optical quality and fantastic value. However, it is also made up of plastic, and as such, it WILL break. The focus ring is also miserably bad for video. So, if you have the extra $200 to spend, GET THE 1.4. The build quality, USM focusing, and proper focus ring will last you years, wheras the 'nifty fifty' will last you until you drop it, or the cheap AF dies. Now, always remember that your lens is a creative tool: this one is a fantastic and versatile tool, but you still can't expect it to do anything it's not built to do. For example, while F/1.4 is a wonderful tool, you will find yourself missing focus at times. Stop down to F/2.8 not only for more accurate DOF and focus, but better sharpness. And, if you want stunning detail, or you're in bright sunlight, stop down to F/5.6 for nearly perfect sharpness for when you have a lot of light, a flash, or are set up to do portraits. And, when you need stunning bokeh or fast shutter speeds, crank it open. So, in conclusion: this is a wonderful lens that is sharp, fast, well built, and has excellent optical qualities when used right. If you think you want it, get it, and you won't be disappointed.
Review: Artsy shallow depth of field: CHECK! - I'm a new dad and wanted a camera so that I could take better shots of my baby than what is available on my phone, despite it being a great phone (use it for 4K video). I'm a noobie without the slightest clue about photography at all. Didn't even read the manual on my camera OR the lens. My sister in law has a canon and a canon lens with great shallow depth of field (something I can do in Adobe but it is time consuming and not as natural looking). She let me use her Canon t2i camera when we were in the hospital, and that's why I got my camera. When I realized I couldn't get my much more expensive t6i camera to do what hers did, I realized I needed a better lens than the kit lenses I had. People said in order get that bokeh look, (shallow depth of field), look for a low f-stop and 50mm. Okay. I don't know what that means, but I know it was how to get that artsy look I wanted for my daughter. So I got this lens. It doesn't zoom, it just does bokeh and does it well. Sharp enough for my general purpose. Got this with a clear circular polarized lens filter at 58mm diameter. Again, don't know what that means. Don't care. I know what it does. It's a picture gooderizer. It gives me much more natural contrast without being harsh. I notice it especially in my custom black and white settings. If you're a sound guy, it's like adding air to a mix with a clariphonic or Maag eq. That's how I took the picture below. I'm now mad that I didn't do this years ago. I love taking pictures but I always used point and shoot cameras. Good ones, but there is no comparison. You can spend more, but if you are a noob with an ASC sensor camera like the canon t series, this is your lane. If you are a pro, it's not a bad lens to have. Not too big or small, well built, and not so expensive you're scared to use if out doors or leave it on your camera around your neck. There's a smaller one, but splurge a little. Expect to become addicted to buying lenses and filters and budget accordingly.

## Features

- Standard focal length 50 millimeter lens is effective in a multitude of shooting situations and ideal for day-to-day shooting
- Elements, Groups: 7 by 6, Diaphragm: Blades 8, Filter Thread: Font 58 millimeter. Minimum focusing distance: 17.8 inch
- An f 1.4 maximum aperture provides clear imaging in low light situations and shallow depth of field
- Ultrasonic autofocus motor (USM) operation is fast, smooth and virtually silent
- 2 high-refraction lens elements and new Gaussian optics eliminate astigmatism and suppress astigmatic difference
- This large aperture standard prime lens has superior peripheral brightness even at the maximum aperture
- Lens construction: 8 elements in 6 groups, Filter size: 77 millimeter
- Optimized for Digital – super multi-layer coating minimizes flare and ghosting – a common problem of digital cameras
- The optimum optical design and molded glass aspherical lens elements provide excellent correction for all types of aberrations, including coma aberration, resulting in superior optical performance
- The Hypersonic Motor (HSM) ensures silent, high speed auto-focusing as well as full time manual focusing capability

## Technical Specifications

| Specification | Value |
|---------------|-------|
| ASIN | B00009XVCZ |
| Batteries | 1 9V batteries required. |
| Best Sellers Rank | #484 in SLR Camera Lenses |
| Customer Reviews | 4.6 4.6 out of 5 stars (5,249) |
| Date First Available | March 22, 2006 |
| Department | Default Category |
| Is Discontinued By Manufacturer | No |
| Item Weight | 10.2 ounces |
| Item model number | 2515A003 |
| Language | English |
| Manufacturer | Canon Cameras US |
| Product Dimensions | 2.01 x 2.91 x 2.91 inches |

## Product Details

- **Brand:** Canon
- **Camera Lens Description:** EF 50mm f/1.4 USM Standard
- **Compatible Mountings:** Canon EF
- **Focal Length Description:** 50mm
- **Lens Type:** Standard

## Images

![Canon EF 50mm f/1.4 USM Standard and Medium Telephoto Lens for Canon SLR Cameras, Fixed - Image 1](https://m.media-amazon.com/images/I/318rm1H06VL.jpg)
![Canon EF 50mm f/1.4 USM Standard and Medium Telephoto Lens for Canon SLR Cameras, Fixed - Image 2](https://m.media-amazon.com/images/I/51436QeQkBL.jpg)
![Canon EF 50mm f/1.4 USM Standard and Medium Telephoto Lens for Canon SLR Cameras, Fixed - Image 3](https://m.media-amazon.com/images/I/61432iSF2eL.jpg)
![Canon EF 50mm f/1.4 USM Standard and Medium Telephoto Lens for Canon SLR Cameras, Fixed - Image 4](https://m.media-amazon.com/images/I/71YbVBKufjL.jpg)

## Questions & Answers

**Q: Debating between 50mm 1.4 vs 50mm 1.8 for Canon 70D. What's the big differences between the two and which would you suggest?**
A: Google Canon 50mm 1.4 focus problem. Canon even has a service bulletin on it. Save your money and get the 50 1.8.

**Q: Whats the difference, except price, in this lens vs.  Canon EF 50mm f/1.2 L USM Lens for Canon Digital SLR Cameras by Canon  $1,619.00**
A: There are a couple of differences, but the real question is what are your needs as a photographer? I'm guessing that since you are asking what the differences are between these lenses, your needs are not of the professional nature, but I don't want to assume. The F1.2 is a pro lens. It is a stop faster, has sharper optics, manual focus override with just a twist of the lens, and from what I've heard nicer bokeh. Generally Canon puts everything it has into its "L" lenses. Better optics, build quality, and finish. I do not own the F1.2. I don't need it. To quote a friend of mine that shoots models all day in L.A., "If someone hadn't stolen my F1.4, I would not have purchased the F1.2". For someone who shoots portrait and magazine covers all day and makes a living at it, the subtle differences of the F1.2 are worth the extra money. For someone like me, who shoots portraits on occasion or shots for web sites etc., the F1.4 is a wonderful lens. It's very fast, handles well, and produces great photos. Not to discount the F1.2; it is an amazing lens and if money were no object of course I would own it. Hope this helps. Happy shooting!

**Q: Could some kind,patient person tell me how to get to the photo gallery that shows how pictures look taken with a specific lens?thx!**
A: I usually use this website http://www.pixel-peeper.com/lenses/?lens=16You can filter the photos by camera model and lens model. I believe the source of the pictures are all from Flicker

**Q: will this work with eos rebel T5i**
A: I only had EOS Rebel t2i and it works with this lens. I'm guessing it will work on T5i as well, but I'm not 100% positive

## Customer Reviews

### ⭐⭐⭐⭐⭐ Undeniable Results
*by M***N on July 13, 2013*

At this point, this lens has such a strong backing that I'm just another voice in the wind. *If you want this lens, GET IT. You will NOT regret it if you want a fast, sharp, well-built investment in glass.* Keep in mind that when shooting with APS-C cameras (7D, 4/5/60D, T1/2/3/4/5i, SLi) this is a wonderful PORTRAIT lens, that gives you a head-and-shoulders frame at five feet, while on a full-frame camera (5D1/2/3, 6D, 1D3/4/5/X/C) it is a stunning STANDARD lens, with a full-body frame at five feet. It is well-built: the body is made up of a solid plastic that has survived a few bangs and falls already. I have it insured, so I have the peace of mind of not worrying about little things, but remember to put a cheap UV filter on it. *A scratched filter costs a LOT less to replace than a scratched lens. Buy a filter with this lens!* It is FAST: The USM is quick and snappy. It is the older version of Canon's USM, so it will 'hunt' in low light if you place a single AF point onto a black background or surface. Get around that by focusing on a lit subject and then recomposing, using either single shot AF or AF-lock. It is BRIGHT: or 'fast', but I didn't want to get confused between AF and aperture. If you are upgrading from a zoom lens, whether it's your kit 18-55 or your professional 24-70 F/2.8, you will INSTANTLY notice how bright and clean 1.4 is. It GOBBLES light at nighttime and indoors, and coupled with the high-ISO performance of almost every Canon DSLR right now, you can get stunning shots with this lens in the toughest of conditions without a flash. And, because of how fast it is, the depth of field (amount of your subject in focus) is razor-thin. You will find that someone's nose pores will be visible while their eyes will be blurry, which might ruin a shot for you: always confirm that what you want to be in focus, is. This is a VERY powerful tool for creative or portrait photography. It is SHARP: focus, movement, light, camera shake, and shutter speed all can alter the sharpness of your photo, which is the most important facet, but the fact is that this lens will not hold you back if you're looking for the sharpest photo possible. It is RAZOR sharp when stopped down, and center sharpness is stunning all the way to F/1.4. Anything from F/2 and up will be sharp all around, at at F/5.6 the entire frame is sharper than a lot of L lenses. The only reason people pay five times as much for the Canon 50mm F/1.2L is because they either need the build quality, aperture speed, or consistent sharpness. You can easily get equally stunning results from this lens, at 1/5th the price of its niche L brother. And, for creative photos and especially video, it creates wonderful creamy BOKEH. If you're looking at this lens you probably know what 'bokeh' means: all it references is the quality of the out-of-focus areas of your photo. Your subject, whether a face or a sign or a car or a person, will be sharp and in focus, while at F/1.4 the area from a few inches in front of and behind the subject become a wonderfully pleasing blur. Now, as far as competition goes, this lens competes with the Sigma 50mm F/1.4 and Canon's own 50mm F/1.8. The Canon 50mm macro lens doesn't count as a 'fast fifty', as at F/2.5 it is an entire stop slower than the other 50's. The Sigma is a better and newer lens than the Canon 50mm F/1.4, with better sharpness wide open and barely better bokeh. However, it costs slightly more, and it doesn't have the support of Canon software, hardware, and editing plugins. Their results are nearly identical, and bokeh is a personal preference. You will be perfectly content with either lens, though Canon's autofocus has been reported as being superior to Sigma's, with quality control issues and failing AF on early models of Sigma's 50mm's. The 50mm F/1.8 is well-known for its optical quality and fantastic value. However, it is also made up of plastic, and as such, it WILL break. The focus ring is also miserably bad for video. So, if you have the extra $200 to spend, GET THE 1.4. The build quality, USM focusing, and proper focus ring will last you years, wheras the 'nifty fifty' will last you until you drop it, or the cheap AF dies. Now, always remember that your lens is a creative tool: this one is a fantastic and versatile tool, but you still can't expect it to do anything it's not built to do. For example, while F/1.4 is a wonderful tool, you will find yourself missing focus at times. Stop down to F/2.8 not only for more accurate DOF and focus, but better sharpness. And, if you want stunning detail, or you're in bright sunlight, stop down to F/5.6 for nearly perfect sharpness for when you have a lot of light, a flash, or are set up to do portraits. And, when you need stunning bokeh or fast shutter speeds, crank it open. So, in conclusion: this is a wonderful lens that is sharp, fast, well built, and has excellent optical qualities when used right. If you think you want it, get it, and you won't be disappointed.

### ⭐⭐⭐⭐⭐ Artsy shallow depth of field: CHECK!
*by D***A on February 14, 2016*

I'm a new dad and wanted a camera so that I could take better shots of my baby than what is available on my phone, despite it being a great phone (use it for 4K video). I'm a noobie without the slightest clue about photography at all. Didn't even read the manual on my camera OR the lens. My sister in law has a canon and a canon lens with great shallow depth of field (something I can do in Adobe but it is time consuming and not as natural looking). She let me use her Canon t2i camera when we were in the hospital, and that's why I got my camera. When I realized I couldn't get my much more expensive t6i camera to do what hers did, I realized I needed a better lens than the kit lenses I had. People said in order get that bokeh look, (shallow depth of field), look for a low f-stop and 50mm. Okay. I don't know what that means, but I know it was how to get that artsy look I wanted for my daughter. So I got this lens. It doesn't zoom, it just does bokeh and does it well. Sharp enough for my general purpose. Got this with a clear circular polarized lens filter at 58mm diameter. Again, don't know what that means. Don't care. I know what it does. It's a picture gooderizer. It gives me much more natural contrast without being harsh. I notice it especially in my custom black and white settings. If you're a sound guy, it's like adding air to a mix with a clariphonic or Maag eq. That's how I took the picture below. I'm now mad that I didn't do this years ago. I love taking pictures but I always used point and shoot cameras. Good ones, but there is no comparison. You can spend more, but if you are a noob with an ASC sensor camera like the canon t series, this is your lane. If you are a pro, it's not a bad lens to have. Not too big or small, well built, and not so expensive you're scared to use if out doors or leave it on your camera around your neck. There's a smaller one, but splurge a little. Expect to become addicted to buying lenses and filters and budget accordingly.

### ⭐⭐⭐⭐⭐ Review
*by A***R on December 30, 2018*

Calidad - Precio de ese lente sigue siendo excelente. Se nota la ventaja de un 1.4 y aun con esa apertura están bastante nítidos. En mi opinión un clásico de Canon. Entrega en tiempo y forma, rápido y en top condiciones, Muchas gracias!

## Frequently Bought Together

- Canon EF 50mm f/1.4 USM Standard and Medium Telephoto Lens for Canon SLR Cameras, Fixed
- JJC Lens Hood Shade for Canon EF 50mm f/1.4 USM Lens Replaces Canon ES-71II Hood Reverse Attaching -Black
- SanDisk 128GB Extreme PRO SDXC UHS-I Memory Card - C10, U3, V30, 4K UHD, SD Card - SDSDXXD-128G-GN4IN

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*Store origin: FR*
*Last updated: 2026-01-23*